RAZZOFAB: A YouTube Series of fabrication like never before!
GOAL: To produce a stand-alone broadcast-quality segment, touching on the nature of RazzoFAB, but primarily focusing on the RazzoFAB "team" and relying heavily on our upcoming interview with Dave Klym.
We intend to demonstrate to Mr. Collier the exciting possibilities of telling the RazzoFAB story using superior filmmaking techniques, informative animation, and original music, with every element moving at a dynamic pace.
Team RazzoFab
Scott George, Dave Klym, Pedro Vela, Tim Bair, Rick Kusy
PILOT EPISODE PRIORITIES:
Interviews and time for Monte to digest them
Interview with Mr. Collier
Prototype script
Casting
Schedule Production and Post-Production.
AGAIN, THE GOAL:
The goal is to share with Mr. Collier our vision of what a top-shelf, dynamic, creative piece on Razzofab looks like, describing the project by relying heavily on the personal story of Dave Klym and the growing "connections" among RazzoFAB team members.
GOING FORWARD FOR SERIES PRODUCTION:
Will need scripts from Monte. For now, how far out from actual production is the script delivery deadline is TBD.
Will need to schedule production accordingly as well as post-production.
Monte and I need access to the stock footage library Scott mentioned.
Need to coordinate deliverables, to whom? Will we be uploading directly to their YouTube
channel after approval or will they?
Casting:
Luke Barr
Luke Barr Demo (Cut down, 2:20)
https://vimeo.com/812221133/0a979e9f82
Luke Barr (16:00)
https://vimeo.com/810966011/85d005c4a0
Transcripts
A tutorial on how to do a paper cut with this transcription
service and be able to see that cut visually (to a degree).
Interview with Mr Collier in the Museum
Interview with Mr. Collier in the Shop
Interview with Scott George (in museum)
Interview with Scott George (in car)
Interview with Dave Klym (only first shot color corrected)
Interview with Pedro Vela
Interview with Tim Bair
Interview with Rick Kusy
Interview with Damian and Damon
Interview with Reggie Ingram
Call with questions:
Ken Ashe, 310-855-4238
Chris Coleman
Ex Producer
Ken Ashe
Monte Williams
Writer/Showrunner
Michael Bowie, DP
Damon May
Damian Beurer
Vimeo Links:
Tutorial on the transcription service, how to use it,
edit with it, and do a paper cut that you can share with
both Chris and Ken.
Mr. Collier interview in the shop TIMECODE
https://vimeo.com/812989352/2f5a06a609
Mr. Collier in Museum TIMECODE
https://vimeo.com/812945903/71807e8aec
Dave Klym intervews TIMECODE
https://vimeo.com/808977621/dee8149b9f
Pedro Vela TIMECODE
https://vimeo.com/manage/videos/808446870/6662f94514
Scott GoPro Raw TIMECODE
https://vimeo.com/808426628/f8f5726a35
Scott in Museum TIMECODE
https://vimeo.com/809247092/aed6b3dd02
Rick Kusy TIMECODE
https://vimeo.com/808117083/dc69e52a40
Tim Bair TIMECODE
https://vimeo.com/809233120/a13bd7a0f8
Damian and Damon TIMECODE
https://vimeo.com/809238389/cca1811df6
Reggie Ingram TIMECODE
https://vimeo.com/809251592#t=58.1
Original Music, Keith Harter
https://vimeo.com/811673270/ca01585228
Test showing color and audio correction
https://vimeo.com/800220348/bcec72672b
Montage
https://vimeo.com/805193164/52b66232f0
Animation Samples
https://vimeo.com/811457074/e9abbb48ff
Demo 3 25 2023
https://vimeo.com/811669902/174f3e0247
Luke Barr Demo (Cut down, 2:20)
https://vimeo.com/812221133/0a979e9f82
Luke Barr (16:00)
https://vimeo.com/810966011/85d005c4a0
Michael Bowie shot B-roll MCC and Dave in the shop plus beauty shots of parts
The camera occasionally goes wild because he was continually rolling to keep sync with my second camera.
I don't know if this can be transcribed because I'm thinking they would not know what to call these parts.
There is a bit of an interview with Dave, but just a bit.
FROM ARCHIVED B-ROLL
Pedro with Mr. Collier and Pedro working from "B-roll archive)
https://vimeo.com/manage/videos/799330319/519c6f6bc2
Rear Panel from B-roll archive
https://vimeo.com/799306360/000eead9bc
Differential
https://vimeo.com/799334721/bed774bfd4
Control Arms 2 25 2022
https://vimeo.com/799304823/1d2d986ae4
Electrical
https://vimeo.com/799303295/56398f865f
3d Scanning
https://vimeo.com/799294742/4e698d9991
Gas tank related
https://vimeo.com/799246717/0aa520666a
Rear Subframe 10-15-2021
https://vimeo.com/manage/videos/799256824/138a5c7419
Razzo muffler 10 3 22 dump hurricane
https://vimeo.com/799266877/b5cb950af5
Roll Bar
https://vimeo.com/798930816/12997dd446
Body
https://vimeo.com/798913881/9dace94ee5
Acid Dipper
https://vimeo.com/798847754/245f82d801
Dave Klym work area
https://vimeo.com/manage/videos/798916983/8f6234fc38
Suspension
https://vimeo.com/798900401/87ffc33022
Fiat Fitting Frame
https://vimeo.com/798890421/7bba7a5793
THE NAS:
A NAS will take in all of the footage,
4k or any resolution.
Then that system uses a MAM, media asset manager to automatically
make proxies and upload them to the cloud.
From the cloud any editor with permission can access those proxies for
editing and when they need to conform with the high rez they simply download
the needed segments.
Anyone with permission can access the storage and view the footage. An editor, a writer, a
team member, anyone who has permission.
Two cloud choices:
Amazon’s AWS, “Glacier Deep Archive”
https://www.youtube.com/watch?v=_I14_sXHO8U&t=7s
Backblaze