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RAZZOFAB: A YouTube Series of fabrication like never before!
 

GOAL: To produce a stand-alone broadcast-quality segment, touching on the nature of RazzoFAB, but primarily focusing on the RazzoFAB "team" and relying heavily on our upcoming interview with Dave Klym.  

 

 

We intend to demonstrate to Mr. Collier the exciting possibilities of telling the RazzoFAB story using superior filmmaking techniques, informative animation, and original music, with every element moving at a dynamic pace.

Team RazzoFab

 

Scott George, Dave Klym, Pedro Vela, Tim Bair, Rick Kusy 

PILOT EPISODE PRIORITIES: 

 

Interviews and time for Monte to digest them

 

Interview with Mr. Collier

 

Prototype script

 

Casting

 

Schedule Production and Post-Production.

AGAIN, THE GOAL:

 

The goal is to share with Mr. Collier our vision of what a top-shelf, dynamic, creative piece on Razzofab looks like, describing the project by relying heavily on the personal story of Dave Klym and the growing "connections" among RazzoFAB team members.

 

GOING FORWARD FOR SERIES PRODUCTION:

 

Will need scripts from Monte. For now, how far out from actual production is the script delivery deadline is TBD.

 

Will need to schedule production accordingly as well as post-production.

 

Monte and I need access to the stock footage library Scott mentioned.

 

Need to coordinate deliverables, to whom?  Will we be uploading directly to their YouTube

channel after approval or will they?

Casting:

Luke Barr

Casting Zoom Call 3-22-2023

323-965-5600

https://vimeo.com/245776812

eric@akatalent.com

https://www.akatalent.com/

Luke Barr Demo (Cut down, 2:20)

https://vimeo.com/812221133/0a979e9f82

 

Luke Barr (16:00)

https://vimeo.com/810966011/85d005c4a0

Transcripts

A tutorial on how to do a paper cut with this transcription

service and be able to see that cut visually (to a degree).

Interview with Mr Collier in the Museum
 

Interview with Mr. Collier in the Shop

Interview with Scott George (in museum) 

 

Interview with Scott George (in car)

Interview with Dave Klym (only first shot color corrected)

Interview with Pedro Vela

Interview with Tim Bair

Interview with Rick Kusy


Interview with Damian and Damon

Interview with Reggie Ingram
 

Call with questions

Ken Ashe, 310-855-4238

Chris Coleman

Ex Producer

512-497-7429

ccoleman@media-outlets.com

 

Ken Ashe

310-855-4238

kenashe@kenashe.com

 

Monte Williams

Writer/Showrunner

512-619-0667

 

Michael Bowie, DP

210-347-4000

michaelbowie47@gmail.com

Damon May

518-321-2792

dmaydesign1@gmail.com

 

Damian Beurer

310-402-1640

djb@chmotorcars.com

 

Vimeo Links:

 

Tutorial on the transcription service, how to use it,

edit with it, and do a paper cut that you can share with

both Chris and Ken.

https://vimeo.com/800159229

Mr. Collier interview in the shop TIMECODE

https://vimeo.com/812989352/2f5a06a609

 

Mr. Collier  in Museum TIMECODE

https://vimeo.com/812945903/71807e8aec

 

Dave Klym intervews TIMECODE

https://vimeo.com/808977621/dee8149b9f

 

Pedro Vela TIMECODE

https://vimeo.com/manage/videos/808446870/6662f94514

Scott GoPro Raw TIMECODE

https://vimeo.com/808426628/f8f5726a35

Scott in Museum TIMECODE

https://vimeo.com/809247092/aed6b3dd02

 

Rick Kusy TIMECODE

https://vimeo.com/808117083/dc69e52a40

 

Tim Bair TIMECODE

https://vimeo.com/809233120/a13bd7a0f8

 

Damian and Damon TIMECODE

https://vimeo.com/809238389/cca1811df6

Reggie Ingram TIMECODE

https://vimeo.com/809251592#t=58.1

 

Original Music, Keith Harter

https://vimeo.com/811673270/ca01585228

 

Test showing color and audio correction

https://vimeo.com/800220348/bcec72672b

 

Montage

https://vimeo.com/805193164/52b66232f0

 

Animation Samples

https://vimeo.com/811457074/e9abbb48ff

 

Demo 3 25 2023

https://vimeo.com/811669902/174f3e0247

 

Luke Barr Demo (Cut down, 2:20)

https://vimeo.com/812221133/0a979e9f82

 

Luke Barr (16:00)

https://vimeo.com/810966011/85d005c4a0

Michael Bowie shot B-roll MCC and Dave in the shop plus beauty shots of parts

The camera occasionally goes wild because he was continually rolling to keep sync with my second camera.

I don't know if this can be transcribed because I'm thinking they would not know what to call these parts.  

There is a bit of an interview with Dave, but just a bit.

FROM ARCHIVED B-ROLL

 

Pedro with Mr. Collier and Pedro working from "B-roll archive)

https://vimeo.com/manage/videos/799330319/519c6f6bc2

 

Rear Panel from B-roll archive

https://vimeo.com/799306360/000eead9bc

 

Differential

https://vimeo.com/799334721/bed774bfd4

 

Control Arms 2 25 2022

https://vimeo.com/799304823/1d2d986ae4

 

Electrical

https://vimeo.com/799303295/56398f865f

 

3d Scanning

https://vimeo.com/799294742/4e698d9991

 

Gas tank related

https://vimeo.com/799246717/0aa520666a

 

Rear Subframe 10-15-2021

https://vimeo.com/manage/videos/799256824/138a5c7419

 

Razzo muffler 10 3 22 dump hurricane

https://vimeo.com/799266877/b5cb950af5

 

Roll Bar

https://vimeo.com/798930816/12997dd446

 

Body

https://vimeo.com/798913881/9dace94ee5

 

Acid Dipper

https://vimeo.com/798847754/245f82d801

 

Dave Klym work area

https://vimeo.com/manage/videos/798916983/8f6234fc38

 

Suspension

https://vimeo.com/798900401/87ffc33022

 

Fiat Fitting Frame

https://vimeo.com/798890421/7bba7a5793

THE NAS:


A NAS will take in all of the footage,
4k or any resolution.


Then that system uses a MAM, media asset manager to automatically
make proxies and upload them to the cloud. 


From the cloud any editor with permission can access those proxies for
editing and when they need to conform with the high rez they simply download
the needed segments.

Anyone with permission can access the storage and view the footage.  An editor, a writer, a

team member, anyone who has permission. 

 

Two cloud choices: 

Amazon’s AWS, “Glacier Deep Archive”
https://www.youtube.com/watch?v=_I14_sXHO8U&t=7s

Backblaze

 

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